Art making is a moment of fleeting eternity

Painting workshops Italy France, Tuscany

A profound, beautiful and insightful. Baruch Spinoza’s Ethics is one of the masterpieces foreshadowing the Enlightenment.

Eternity is outside time. Eternity should not be mistaken for the elasticity of time, a time that never ends. Yes! eternity is indeed outside time. It doesn’t have a beginning nor an end. It is something in itself; it has its own specificity as the Dutch philosopher Spinoza described in his celebrated Ethics published after his death. To experiment eternity, to feel that indescribable experience that we can exist beyond time, is to live intensively in the moment with awareness, so that we can feel our own essence. On earth, in our “daily” life, we can step outside temporality through sheer love, the contemplation of beauty and the sublime, the experience of plenitude and creativity, the disintegration of the ego … through sincere art making. Then, time stops; we are one with nature.

When painting the Italian landscape for the very first time, one must forget the past, meaning leaving behind all the acquired notions or precepts of arts: techniques, theories, laws and rules. When confronting the rolling hills of Tuscany, one must forget the future, by stopping this urge to go back home with accomplished paintings to flatter our own ego — or fearing that our works will not be “beautiful”. When facing the turbulence of cloudy Latin skies, one must let go in the now, to feel deeply the self, the never ending present, hence eternity. It is only then that we will be able to sense that little spark of the divine in us, our essence, so we may be able to joyfully create on our blank canvases.

During our art workshops, our main role at Walk the Arts is to endow the proper environment to bring you into that state of eternity. How? That is a very complex question and we only can provide a very simple answer: 1) by offering a solid succession of “art-making-reflection” moments when you will need to focus on the present; 2) by welcoming you in an joyful setting around pleasurable meals and enjoyable conversations; 3) by making sure that there is mutual respect among everyone; 4) by motivating you to use your rational self (Reason) to examine your personal stories and the Emotions attached to them so you can manifest your authentic persona in your art. As Spinoza mentioned, it is only by understanding our emotions that we gain in power, so that felicity, or gratitude (béatitude in French) will manifest itself through our own self.

At the end of Studio Italia or Atelier Provence, inevitably we will all go back to our everyday lives where terrestrial time does exist. Ten full days would have passed, but we hope that during that time everyone has experienced at least a bit of eternity. And back in our studios, we could tap into that experience and feel it again. Profound, beautiful and insightful. Baruch Spinoza’s Ethics is one of the masterpieces foreshadowing the Enlightenment.



  1. Andree St-Louis

    You cannot catch inspiration, you must leave yourself wide open to be receptive to the divine. It is as fleeting as a butterfly that briefly touches you. You cannot catch it as you might destroy it. Let inspiration come to you and simply go with wherever it might take you. Do not try to analyze it. Let go of all expectations. Let yourself flow into your creation. That’s how I want to attain my creativity this summer. I do not expect anything. If the creative divinity wants to guide my hand I’ll be more then willing to be it’s conductor.

  2. Renee lou Lovell

    I am very happy to be joining you on this adventure in
    When my cousin Kate and i were young girls we had many sleep overs and spent a lot of time together .
    Then life happened , adult life and so we moved on and grew up yet always staying very close but busy with our own lives. She out of the two of us is the artist and is now retired from her long career.
    I on the other hand am a newcomer to the joy and relaxation that i have learned in my recent watercolour classes. All of this to say that i am so very excited to have 10 sleepovers with my cousin Kate in Tuscany and to enjoy painting in the Tuscan sun or rain.
    I will continue to take some classes this year and then let loose in Europe.
    Renée lou Lovell

  3. Mimi Placencia

    Sort of an immersion art retreat I suspect.
    Looking forward to experiencing Italy for the first time in this new way through this program next October.
    Mimi. Placencia


Who are we

We all make art! It is part of culture. It is deeply rooted in human nature as a way of communicating with others. We all need to tell our stories because it is stories that link us all. We are all one, one creative mind! Though, all unique and equipped with unique ways of expressing ourselves. We live in constant search of that unique liberating voice. At Walk the Arts we aim to facilitate our art makers to explore new territories. Our painting classes and art history trips on three continents are meant to be rounded art experiences among small groups of like-minded adults. We offer an environment that fosters creativity. As we always say, art as religion is just a matter of faith. This blog is about living fully the experience of art, about finding our single artistic path, about the joy of art-making. We believe that making art accessible to all will lead to a betterment of our society.


Contact Us! North America and Europe

Twitter Updates

Radical-polemicist-radical or capitalist-strategist?


In conclusion, it is our fundamental nature that is responsible for this preponderance of bad news in the media. It is up to us to make a conscious effort to try to arrive at a more balanced discourse while keeping a critical mind. Our stress level would certainly decrease.

The bastard of Marcel Duchamp: Contemporary Art


In short, I could go on and on to recount Madame Sourgins’ whiny whims, but it is time to conclude. She is accurate to write that the pleasures of culture are “delayed joys” which require cultural awareness and some knowledge. Visual arts, like all cultural expressions, reflect the society and the times in which we live. Walk the Arts’ artists are aware of what is being done in the field of contemporary art, good or bad. It is up to them to choose whether or not to venture into the contemporary department. But it is important to acknowledge that there is no turning back. Contemporary art is here to stay.  

COVID-19 and Your Art


Let’s see this pandemic as a propitious time to quit this whirlwind of vanity and consumerism. […] In our studio, at our easel or our desk, the time is right for deepening personal truths, so essential for future artistic endeavors. The time is favorable for revamping our own publications including our artistic statements and websites. The time is appropriate to devote ourselves to serious art readings. In brief, a time to search, a time to find a new equilibrium.

May I see the instructor’s works?


So why do we attend a painting workshop In Tuscany, Provence or South America? We attend a workshop to learn from each other, to share our passion, to live an art experience and to enjoy the power of knowledge through creation. This is what we offer at Walk the Arts.

Meaningful journeys.


At Walk the Arts we aim to surpass easily-found knowledge on YouTube such as how “to mix your greens”, even “how to paint an Italian landscape”; and if you can learn the latter in a video, why attending a painting workshop in Tuscany? This reality has encouraged us to become a conduit of art knowledge, not a mere repeater of it.

The Post-Coitus Works of Art


We agree that a completed work can bring a great sense of boredom, even disappointment, or a sense of euphoria that encourages pursuing a career as an artist. We have a choice; “Well done! What do I paint now as my next subject? Or “WOW! How can I push this canvas so it becomes better and more complex in the reflection of my time and my life?”

Plein Air Painting = Trapping the Moment


Here’s a curious paradox: stopping time by painting quickly. Can one set a trap to catch the moment’s impression? Can the artist’s canvas trap the beauty and the wonder of observed events which melt all too quickly in the flow of time? Can time be halted? Yes, says Michael Findlay, obviously, this is what artists do…

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